Monet, Claude: Houses of Parliament, London
Of Monet's and
Pissarro's
experience of England during the Franco-German war, Pissarro was
later to write, `Monet and I were very enthusiastic over the London
landscapes'. However, they chose different aspects of it: Pissarro,
what he described as `at that time a charming suburb'
(Lower Norwood) and Monet, Hyde Park and Westminster.
Monet's paintings of Hyde Park in 1871, though nothing more than
stretches of grass and pathways with an indication of strolling figures
are remarkably true to character though the principal product of his
stay in London was the beautiful view of Westminster Bridge and the
Houses of Parliament, dated 1871.
The suggestion of color in the fog-laden sky is certainly
Impressionist
but the silhouette of the Parliament buildings does not suggest any debt to
Turner,
whose works the two French artists now saw. Monet observed and made use
of the same flattening result of the heavy atmosphere as
Whistler,
whose Nocturnes belong to the same decade.
The resemblance, fortuitous as it may be, is increased rather than
otherwise by the evidently well-considered relation of the foreground
timber pier and the buildings and bridge behind, a reminder that Monet
like Whistler was an admirer of the Japanese prints in which these
decorative relationships had a studied importance. Monet was to come
nearer to Turner in the later more vividly chromatic paintings of
the Thames at Westminster made on his later visits in the first
decade of the twentieth century.
-
The Thames at Westminster (Westminster Bridge)
1871 (130 Kb); Oil on canvas, 47 x 72.5 cm (18 1/2 x 28 1/2");
Collection Lord Astor of Hever; National Gallery, London
Monet used color with an increasing freedom in these later years.
London as he saw it again at the beginning of the present century
suggested chromatic richnesses far beyond any
he had contemplated in 1871.
This view of the Houses of Parliament in 1904 with the sun
coming through fog departed from the
Whistlerian silhouette of
thirty-three years before to picture densities of purple and blue
with a contrast of gold that already forecast
André Derain's
fauve
paintings of the city.
-
Houses of Parliament, London, Sun Breaking Through the Fog
1904 (190 Kb); Oil on canvas, 81 x 92 cm (31 7/8 x 36 1/4 in);
Musee d'Orsay, Paris
-
Le Parlement, Effet de Brouillard
1904 (120 Kb); 82.6 x 92.7 cm;
Museum of Fine Arts, St. Petersburg
© 18 Feb 1996,
Nicolas Pioch -
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